Driss" Bassari

— Sorry to bring this back, but I'm really curious about the ear thing. So if you have red ears, it means you're turned on?
— That's it. Sometimes I even wake up with hard lobes.

— Do you have references?
— References? I do.
— So? We're all ears.
— 'Kool & the Gang', 'Earth, Wind & Fire'. Those are good references, aren't they?

— You enjoy paintings?
— I do. I adore Raphael.
— I prefer other ninja turtles.

— She spent 6 months reading your goddamn poems. And she likes it. She's weird, don't worry. I'm sure she doesn't give a damn about the chair.
— That's true.
— Plus guys from the north drink so much they're all beating their ladies. She'll see there's no risk with you.
— Jerk.

— No. Please. No. No. No.
— Nein! Nein is what you mean.
— I'm not ok with that.
— Philippe, ach.
— So I'm your toy now. You know you're mental right? You have to get help.
— Don't you feel like invading countries right now?

This dude nosebleed on a white board and asks 30 000 euros for it?

— "Tom and Jerry," right?
— "Tom and Jerry." What a jerk. Someone help me. A masterpiece.

— Didn't you have a blast on the phone?
— I did.
— Is that all?
— I had a fucking blast.

— What was that?
— Nothing. Just a hole in the cabin.
— Philippe, tell me if something's wrong.
— It was very nice knowing you.

— Tell me, Driss, why do you think people are interested in art?
— I don’t know, it’s a business?
— No. That’s because it’s the only thing one leaves behind.

— So, Philippe. I'm not staying for lunch.
— Why?
— I'm not leaving you alone. You just happen to have a date.
— A date? What do you mean?
— Don't freak out. It'll be fine. Only this time you can't flee.

It’s not music if you can’t dance to it.

— It's intellectual. Emotional. It comes before the physical relationship for me.
— Intellectual alright, but what if she looks like a dog? You'd be having an intellectual relationship with a dog.

— You think I'm driving that fast. For the fun of it? I was going to the hospital. I'm working for him. He's having a stroke! The more we wait, the worse it gets. He can't move, he can't do anything. That's why I'm here.
— I think we have a problem here. Come see this.
— What the fuck do we do now?
— That's right, think about it. Take your time. But meanwhile call his 15 years old daughter and tell his father is dead because of you! Because if he's not taken care of within 5 minutes, it's over. But take your time. Think. Think fast. He's dying!